Land of Saints and Squalors
It's frightening how easy it is to settle back into old ways. I am home less than a week, having arrived last Monday (02/10/06), but already Europe is far behind me and I have done nothing. The week is a wasteland of "I'll rest a few days". Time's too short and my mind too easily sleeps.
Antarctica, a destination I have been thinking of, is looking even further away than its distance might suggest, though I am still awaiting an email from one tour company. A world tour plane ticket is also problematic as for some reason almost all flights to South America for this time of year are taken (seems crazy to me). I have even been considering just flying to Europe again and taking my chances on a non-Interrail tramp. We shall see.
I just know that Ireland is toxic to me.
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Of course, I am not for one moment proposing Irish culture as European culture, I simply put forward the notion of this island being a sort of latter day Alexandria. After all Ireland once was this, protecting the flame of Western civilisation during the Dark Ages; we could become such again. Contemporary Capitalism threatens nothing if not darkness.
Anyhow I'm off the soap-box now. See what a week in Ireland does to you! The irony is I must harbour some affection for this country given that I defend it frequently abroad, but any time here starts the disillusionment off again. It's like watching a loved member of the family soil their pants.
I started reading Pynchon's, "Gravity's Rainbow", while abroad, but I find it very hard to get anywhere with it. It's full of ideas, it has some interesting characters and an emotional warmth I'm not used to in his writing; but it is so determinedly anti-reader. Employing stream of consciousness does not excuse sloppy writing, and surprising the reader with twenty pages of surrealism before explaining it as a laboratory experiment is just cheeky. I feel obliged to continue, but in the meantime I had to get something I could enjoy, so I bought Peter Biskind's, "Gods and Monsters", a collection of his writings on film over three decades. I loved "Seeing is Believing", and "Easy Riders, Raging Bulls", so I knew I'd be in relatively safe territory, and so it's proving. Of course, his cheeky dissection of "Badlands" is a little too much, but any quibbles I have are more in the style of a friendly pub disagreement than any major problem. He writes well, loves his subject and frequently throws a clear light on a topic.
Off to see "Children of Men" now. I'll see "The Departed" tomorrow morning when there's no one in the cinema.
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